Mind Grapes

youmightfindyourself:

1. You admire a character for trying more than for their successes.
2. You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.
3. Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
4. Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
5. Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
8. Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
9. When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
10. Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
11. Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
12. Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
13. Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
14. Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
15. If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
16. What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
17. No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.
18. You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
19. Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
20. Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?
21. You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
22. What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

youmightfindyourself:

If you climb a mountain you are sure to have a few missteps along the way. But you keep going. You don’t stop and start over if you trip here or take the wrong path there. You keep going. You can’t remove that step. It happened, it’s part of the climb. And when the climb is done, you’ve finished. As long as you made it to the top, you don’t call the climb a mistake. Likewise, the Navajo don’t call a rug with some off stiches a mistake. If the rug is finished, it’s a successful rug. More importantly, a rug with a few off stitches is an honest rug.

This is true. I’ve made a couple of bookcases for the house, all with plenty of mistakes, and I love them. The things I can’t get past messing up on I find myself constantly starting over on and nothing gets done.

youmightfindyourself:

By: Lawrence Schlossman, a writer and editor, blogs at How to Talk to Girls at Parties.

I want to tell the modern man that he doesn’t have to look like a gold rush-era carnival worker or brew his own micro whatever to be considered a man in my eyes. No, it’s way easier than that. How about being a good guy, a good person. Just be honest, kind, tolerant, open, intrepid, self-aware, inquisitive, etc. — you know, all the things that have made our greatest men (and greatest anyone) great when we boil it down. Do these things and help others do them too, and you’re a real man as far as I’m concerned. Next time you’re out and about, walking tall, everyone might be focusing on the perfectly handrolled cigarette dangling effortlessly from your lips, but you and I will know the truth — you called your Mom just to tell her you love her, and you’re happy you did.